Monday, February 8, 2016

Why did the NFL allow Beyonce to celebrate the murderous Black Panthers in her halftime performance?

Thomas Lifson  "The NFL normally adopts the posture of patriotism and wholesomeness. And I have to admit that performance of the National Anthem by Lady Gaga was quite nice, despite my fears that the performer known for her meat dress would make a travesty of it.

"So why did the League feature a performance by Obama-pal Beyonce Knowlees that unmistakably celebrated the Black Panthers, whose murderous reign of terror began in the Bay Area that hosted the Super Bowl?

"Don’t take it from me, take it from the lefty UK Guardian:
With references to the Black Lives Matter movement, Malcolm X and the Black Panthers, BeyoncĂ©’s half-time show at the Super Bowl on Sunday might be the most radical political statement from the superstar in her 20-year career.
. . . 
The video shows BeyoncĂ© sitting on top of a police car and includes scenes showing a young black boy dancing in front of lines of riot police, who put their hands up, before cutting to a wall of graffiti that reads: “Stop shooting us.” (snip)
On Friday, Beyonce’s husband Jay-Z announced that he would donate $1.5million (£1m) raised at a charity concert run by his streaming service Tidal last year to the Black Lives Matter movement and other social justice organisations.
"Was nobody at the NFL watching? Or were they afraid of reactions from their black players if they objected?"


Beyonce Sings Anti-Cop Song At Super Bowl… After Getting Highway-Clearing Police Escort  "This is music? Skip ahead to a little bit before the end to see the relevant part, the rest is just an ode to herself and how wonderful she is." . . .


. . . "It’s so hard living in the evil racist U.S. that has made her rich beyond her wildest dreams. Bey also has a reference to Moorish people with a guy in a red fez (if you don’t know who they are look up Moorish Science Temple for a voyage down the black nationalist rabbit hole) and a reference to the Nation of Islam with a bow tied man holding a newspaper designed to look like Farrakhan’s ‘Final Call’, but called ‘The Truth."
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