Before ruining a company that seemed impossible to ruin, these insane Disney executives should have read G. K. Chesterton, or anything at all really, and then put up a big neon sign over their headquarters, bearing the words of the old English writer: “That is the one eternal education: to be sure enough that something is true that you dare to tell it to a child.”
Not Everything Is Ideology, Disney - The American Spectator | USA News and Politics "No matter what kind of attitude you adopt on the street, the way you dress, the speed you choose to drive at, or the words you use to address the shopkeeper, someone will be watching and forming a political opinion about you. We live in a time when even going to the supermarket to buy a chicken can become a heinous, militant ideological act, even if the chicken is not right-wing. From sports to social relations, everything is tainted by ideology.
"Any practice that has not managed to transcend into some kind of political idea has fallen into historical disuse, and the resulting world is of such ideological intensity that we are left exhausted by the end of the day. I go to sleep and before I close my eyes, I think: ‘And how should I be doing this from a conservative point of view?’
"Yes, we have gone crazy. Or rather, we’ve been driven crazy. By whom? Them. Because if there is another characteristic of contemporary ideological confrontation, it is the simplification of any problem to two sides: the good guys and the bad guys. I don’t care much for what in Europe they call centrism, which tries to dilute any moral dilemma into a grayscale, but I admit that dividing all reality into good and bad reminds me too much of the binary code used by machines. I don’t know about you, but I long for the time when life allowed us to choose between more than two positions.". . .
I'm a mom and I'm saying goodbye to Disney . . ."Turning Red" rated PG, is the story of a thirteen-year-old girl named Mei who inherits her family’s curse to become a red panda whenever she feels passionate emotions, including sexual tension, which feels wildly inappropriate in a movie targeting young children like mine. The adults at Disney create a storyline for the young main character and her fictional friends around their attraction of an older boy dangerously close to being a legal adult at seventeen.
"It’s even more appalling when Mei begins to draw this boy in what a "Turning Red" YouTube account calls "dirty drawings." Her drawings include half-naked sketches of him, and, at one point, she crawls under her bed to get all hot and sweaty with her sketchbook of semi-nude scribbles. It would be hard to explain this scene as anything other than masturbation.
"Mei and her friends are in a tug of war with their parents that the writers sexualize as they have the characters catcalling boys at school, endorsing "stripper music," and making plans to rebel against their parents who have legitimate concerns for their safety. But it gets worse.". . .
Disney just can’t seem to quit grooming kids - American Thinker . . ."It’s been apparent for a while that Disney has strayed from Walt Disney’s vision of a traditional family-friendly product and has become, instead, an entity dedicated to advocating for the LGBTQ++ cohort. You can see the trajectory in (a) the increasingly open same-sex love LeFou has for Gaston in Beauty and the Beast (in the animated version, it was hero worship; in the 2017 life-action movie, it was open), (b) the lesbian cop in Onward, (c) the fish who’s also a boy in Luca, a story that all sentient people understand as a metaphor for so-called transgenderism, and (d) Disney’s Muppet Babies pushing cross-dressing. Meanwhile, Disney has also actively courted the LGBTQ++ crowd at its theme parks.". . .
