Monday, March 24, 2025

The Poignant Tale Behind a Celebrated Civil War Sketch

 HistoryNet  

"By January 27, however, the 21-year-old Jackson, with bayonetted rifle, his greatcoat tightly gathered at the waist, was able to stand still long enough for special artist Edwin Forbes to capture him on paper. The artist clearly shows that Jackson placed his weight on his right foot. '                                  


"Odds are there isn’t a Civil War buff living who hasn’t seen a copy of this remarkable pencil sketch (above) by special artist Edwin Forbes, which Forbes labeled as “William J. Jackson, Sergt. Maj. 12th N.Y. Vol.—Sketched at Stoneman’s Switch, near Fredricksburg [sic], Va. Jan. 27th, 1863.” The young noncom has gazed back at us across the years from countless publications and exhibits. Rendered with camera-like honesty, it is arguably among the best drawings of a common soldier done during the Civil War. Writing about his work in general, Forbes assured viewers, “fidelity to fact is… the first thing to be aimed at.”

"In fact, once Forbes completed his drawing of Jackson, the sketch went virtually unseen for more than 80 years. The drawing was among several hundred illustrations Forbes made while covering the Army of the Potomac for Frank Leslie’s Illustrated Newspaper from the spring of 1862 to the fall of 1864. Approximately 150 of Forbes’ wartime sketches were engraved and printed in the illustrated newspaper during that period, although his drawing of Jackson was not among them.


"After the war, Forbes retained most of his original illustrations. Many he reworked into more polished drawings; some into oil paintings. He fashioned scores of them into award-winning etchings. Many appeared in his books, Life Studies of the Great Army (1876) and Thirty Years After: An Artist’s Story of the Great War (1890). Again, the poignant sketch of the beardless sergeant major from the 12th New York Infantry was not included.

"Following Forbes’ death in March 1895, his wife, Ida, maintained his portfolio of original artwork, where the Jackson sketch was catalogued, “Study of an Infantry Soldier — The Sergeant Major.” She eventually sold the entire collection for $25,000 to financier J.P. Morgan in January 1901. Eighteen years later, on the heels of World War I, Morgan’s estate donated the collection to the Library of Congress, its current home. The sketch of William Jackson remained out of the public eye for another quarter-century until it resurfaced during World War II, thanks to the efforts of a U.S. Army private." . . .More here...


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