Conservative Angle "TCM makes a Turner Classic Mistake by offering up their supposedly “racist” and “sexist” films as sacrifices."
"About 15 years ago, my younger brother, George, looked over my DVD collection of classic movies, including Gone with the Wind, The Searchers, and Animal House, and said, “You know, pretty soon you won’t need any of these. You’ll be able to download every one of them off the internet.” George was proved right technologically, but what he couldn’t predict was that cancel culture would target those films. No one could in 2006. Now I, like many other naïve movie lovers, regret having discarded my hard copies of the titles and am racing to replace them before they get erased.
"I recalled that moment last Thursday when watching the premiere of Turner Classic Movies’ (TCM) ill-advised March series Reframed: Classic Films in the Rearview Mirror featuring Gone with the Wind (1939), Seven Brides for Seven Brothers (1954), and Rope (1948). With the series, TCM hopes to continue its only raison d’être — presenting screen masterworks — yet protect itself from modern woke vampires bloated with fresh blood — Dr. Seuss’s and Mr. Potato Head’s. Other classics to be deconstructed for anti-wokeness include Woman of the Year (1942), Gunga Din (1939), and The Searchers (1956). TCM declares its intent in a ghastly website statement:
Many of the beloved classics that we enjoy on TCM have stood the test of time in several ways, nevertheless when viewed by contemporary standards, certain aspects of these films can be troubling and problematic. This month, we are looking at a collection of such movies and we’ll explore their history, consider their cultural context and discuss how these movies can be reframed so that future generations will keep their legacy alive.
....... "That the announcement is typical progressive drivel becomes obvious in the first sentence. Because “the beloved classics” clearly “have stood the test of time,” the phrase “in several ways” signifies nothing. Neither does “when viewed by contemporary standards,” nor the utterly insipid “certain aspects of these films can be troubling.” Hey, welcome to art, snowflakes. The sentence ends with the ultimate vague yet loaded word, “problematic.” . . .
Classic scenes from the movie were part of every corner in American culture:
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