Real men could save Hollywoke from the witches producing movies such as ‘Snow White.’ But why should they bother?

 The American Spectator:    

The whole industry is committed to going down with the Message — that anything men can do, women can do better.

"It’s too late to save Hollywood. The men who built it and guided cinema through the entire twentieth century foolishly gave the reins to a spoiled, weak, ideologically brainwashed generation in the twenty-first. Which became easy prey for the coven of feminist witches that despoiled the motion picture art.

"Like everything they touch and could never create, these misandrous hags left the screen trade an ugly, shrieking, haunted house. But to ensure victory, they had to corrupt the first name in traditionalist family fare, Walt Disney, into a perverse grotesquery, devoid of all beauty, innocence, and child appeal. 

"Last year, I was one of many conservative journalists who mocked the woke live-action remake of Snow White and the Seven Dwarfs then in production. Walt Disney’s risky first feature film — an animated tour de force — made his little studio the top player in wholesome entertainment.

"The classic film enchanted little girls for almost 90 years by beautifully capturing their desire for companionable fantasy — talking animal friends; beauty — “the fairest of them all”; premarital romance — Prince Charming; and maternal responsibility — the seven dwarfs.

"The remake, Snow White, dispensed with all these eternal virtues, initially including the other titular characters. Intimidated by little person actor Peter Dinklage — who benefitted careerwise from his diminutive height (Game of Thrones, Avengers: Infinity War) before disparaging midget casting post him — Snow White producers disemployed seven dwarf actors to favor a ridiculous septet of mostly minority normal-size performers.

"Photos of the group of “magical beings” cavorting through the English countryside provoked international derision, including mine.

"Then came the infamous interview with obnoxiously smug starlet Rachel Zegler trashing the original film and the inspirational fairy tale for their non-woke dynamic. “She’s not going to be saved by the Prince,” Zegler insisted. “And she’s not going to be dreaming about true love. She’s dreaming about becoming the leader she knows she can be.”

"These remarks and dumber ones by Zegler offended generations of young girls, their mothers, grandmothers, and great grandmothers who loved the movie and dreamt about true love, and that one day their Prince would come, and for many of them, he did or will." . . .

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