A more skillfully crafted movie might have been able to turn that sentiment into something more horror adjacent, or at least a little more discomfiting. But there’s a lot of over-signaling dialogue here: ...NY Times
With divider-in-chief Obama involved in the project, it was hard to see these breadcrumbs as anything other than a warning that Americans deserve to be punished for not sufficiently apologizing for their great-great-great-ancestor’s neighbor’s uncle’s racist tendencies.
. . ."You see, we are the real monsters in this movie. We are the ones to blame for the collapse of civilization. Our ultimate destruction won’t come from hostile foreigners, mysterious pandemics, cyber attacks, or the “Great Reset” plans of the World Economic Forum’s jackbooted “elites.” Huh-uh, we will all die because conspiracy-spreading MAGA Americans are inherently selfish and just can’t get enough of the “patriarchy” and “white supremacy”!
"If you speak “woke-stupid,” the movie is a masterpiece indictment of “Trump’s America.” If you are a psychologically stable person with a virtuous sense of duty to God, family, and country, you are left wondering, “Why didn’t those rich people plan ahead for a rainy day?”
"To be sure, there was ample foreshadowing suggesting that Americans would ultimately be blamed for their own suffering. The oil tanker that crashes into the beach is the “White Lion,” a reference to the early-seventeenth century privateer credited with delivering the first Africans to the colony of Virginia to be sold as indentured servants. We get it: oil and slavery are both really bad. In another please-hit-us-over-the-head-with-woke-history moment, a car radio frequency lands on 1619 as the camera lingers — a retch-inducing hat-tip to The New York Times’ propagandistic attempts to erase America’s 1776 foundations in liberty and rewrite the history of the United States as one irredeemably stained by slavery and “white supremacy.”. . .
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