"But it’s not the artistry of these films that counts for Hollywood. It’s the propaganda value, even on a small audience. Joseph Stalin understood the mind-influencing power of cinema* . . ."
"Still, Wayne was the recipient of several other attempted assassinations in the future, most notably in 1966, when a sniper was caught attempting to shoot the actor in Vietnam. The sniper alleged that Chairman Mao Zedong ordered the shooting. Again, whether this is true or not remains speculation."
"Last week, conservative writer Mark Judge officially announced the first annual Anti-Communist Film Festival — October 1-4 at the Victims of Communism Museum in Washington, D.C. With open or quasi communists taking over the Democratic Party and several American blue cities and states, the festival’s timing is perfect. I know which movie would win the top prize if it had been made already — Operation Cowboy: The Assassination of John Wayne, my Day of the Jackal-style thriller about a real 1950 Stalin plot to murder John Wayne because of his success flushing out Hollywood communists. As more genuine historical sources rip through the cobweb of leftist media lies, two commie-exposing heroes have found new respect as framed victims — Joseph McCarthy and Richard Nixon. To requote The Daily Wire star Matt Walsh in his recent X post, “McCarthy was right and fully justified.”
"For over 60 years, progressive filmmakers have depicted the communist investigations as the Hollywood Holocaust, wherein fascist officials and their studio-mogul acolytes silenced and persecuted Socratic screen artists. It began subtly enough in blacklisted genius screenwriter Carl Foreman’s High Noon. The classic 1952 Western depicted ex-Marshal Gary Cooper forsaken by the townspeople he protected ahead of four outlaws coming to kill him. It was clearly Foreman’s analogy for his abandonment by his peers during the blacklist.
"But when the Democrats took control of Congress in Eisenhower’s second term, and as studio power waned, liberal Hollywood filmmakers and the media got their revenge. They used all their propagandic powers to demean the anti-communist patriots inside and outside the entertainment industry. This included then-congressman Richard Nixon, whom they never forgave for exposing FDR State Department darling Alger Hiss as a Soviet spy.
"And Hollywood led the charge." . . . More...
*as did his two main nemeses in Hollywood, John Wayne and Ronald Reagan, which is why he wanted John Wayne dead."
No comments:
Post a Comment