"Ho[l]lywood ignored the cultural winds shifting beneath it — and now the backlash is blowing back."
[T]here’s no end in sight to the two most simplistic and self-destructive devices in their control — gender-swapping and race-swapping.
"For players in the entertainment business, these are not abstract questions but crucial monetary ones that will determine the success or failure of their product. They may ignore the warning signs to maintain ideological purity, but they can’t escape the consequences. Then, the ultimate question becomes how badly will they get hit? One answer — badly, but not badly enough to make them reverse course, until they’re thrown out.
"As I cited in a recent article here, director Christopher Nolan should have felt the increasing headwind against a woke version of The Odyssey two years ago, especially given the story he was telling. In Homer’s epic, King Aeolus, “the keeper of the winds,” gives Odysseus a bag full of winds to advance his journey home, cautioning him not to open it all at once. After 10 days, within sight of Ithaca, his crewmen open the bag and get the ship blown all the way back to Aeolus.
"Director Nolan metaphorically opened the windbag and will soon also pay a heavy price. I cited many of his problems — a feminist translation, a moderately attractive black actress (Lupita Nyong’o) as Helen of Troy, a plain brown actress (Zendaya) as Athena, the goddess of wisdom, and an actress claiming to be an actor (Elliot Page) as one of Odysseus’ warrior sailors. All and any of these will repel a lot of moviegoers.
"Nolan might give the excuse of being part of the woke wave when he began developing the movie, though there was already a backdraft in 2022. But there can be no excuse for others moving forward, only contempt for the majority traditionalist audience. So there’s no end in sight to the two most simplistic and self-destructive devices in their control — gender-swapping and race-swapping." . . . More...
(READ MORE: The Left Wanted the Culture War They’re Now Losing)
